The figures for the first weekend Salman Khan Tubelight were as mediocre as the movie itself: about Rs 63.5 crore between Friday and Sunday, and Rs 18.75 crore on Monday than the day it was Held in Eid across the country, which marks the end of a month of fasting and abstinence from watching movies.
Product for Rs 100 million rupees reported and published on 4400 screens in India during Ramzan’s lucrative weekend, Tubelight has faced no competition from other versions of Hindi or Hollywood. Tubelight is stronger than most other films, of course, and still has the second best release of the year after Baahubali: The Conclusion. This is by no means a failure, but hardly healthier than the earlier Khan pioneers (also known as a “human being” development).
The latest Kabir Khan movie has all the craziness, but not the feel of a typical Salman Khan movie. Tubelight is a new official version of the Hollywood film of Little Boy. In the original, an eight year old boy is believed to have acquired the power of telekinesis and tries to use this power to carry his beloved father since World War II.
Kabir Khan moves the action to the Sino-Indian War of 1962 and replaces the father for a brother. The brothers of Salman Khan and Sohail real life are separated by battle, and Laxman child Salman Khan prays for the return of his brother while simultaneously protecting an Indian-Chinese woman (Chinese actress Zhu Zhu) and his son (King tomorrow Tangu) prejudices and violence.
Tubelight a soundtrack full of life by Pritam, the nod of Salman Khan and proven track record of Kabir Khan to deliver the leaders of the mafia. The Khan had previously collaborated on the monster hit Ek Tha Tiger (2012) and Bajrangi Bhaijaan (2015), which depicts the brave star as a peace mission of a man between India and Pakistan. It was expected that Tubelight has expanded the success Bajrangi Bhaijaan and we consider that it is not another week Salman Khan before its launch.
One of the problems is that his portrayal of Tubelight Miracles movie is too literal. In the original and new version, the main characters shake hands as wizards cast spells in an attempt to move objects – a ridiculous idea when hands belong to Salman Khan, who performs both on and off the screen with Half of the last years.
Tubelight is what Salman Khan Fan (2016) Shah Rukh Khan – a prestigious production that has turned the presentation of his first actor into a different cast, but turned out to be too alienating for the general public.
The image-nothing is impossible formed Salman Khan with wanted in 2008, sealed with Dabanng in 2010 and cemented in the next years. Her dominance at the box office meant that her producers had dropped the most expensive release dates (usually on weekends) and the hermetic equity reflected fat gains in lean sections (Ready, Bodyguards).
Khan has improved in his limited range of action through Bajrangi Bhaijaan and Sultan (2016), but his decision to campaign against his carefully constructed person seems to have been responsible for the appearance of Tubelight floating. The actor has co-produced the film and therefore is totally responsible for his attempt to give the image of Supermensch rest.